Cannes 2009- Awards

By -


Palme d'Or: Michael Haneke for "The White Ribbon

Grand Prize- Jacques Audiard for "A Prophet"

Best Director Prize(mise-en-scene): Brillante Mendoza for Kinatay\

Best Screenplay: Lou Ye for "Spring Fever

Caméra d'Or for Best Debut Feature was awarded to Warwick Thornton for "Samson et Delilah

Best Actor: Christoph Waltz for his role in "Inglorious Basterds"

Best Actress: to Charlotte Gainsbourg for her role in "Antichrist"

Palme d'Or, Best Short Film: "Arena" by João Salaviza

The Jury Prize: Fish Tank Andrea Arnold
Thirst Park Chan-Wook

A Special Cannes Festival Prize went to Alain Resnais for his film Wild Grass


Un Certain Regard:

Prix Un Certain Regard: "Dogtooth" Yorgos Lanthimos, Greece).

Prix du Jury: "Police, Adjective (Corneliu Porumboiu, Romania).

Prix Special Un Certain Regard: "No One Knows About Persian Cats"

(Bahman Ghobadi, Iran) and "Father of my Children", (Mia Hansen-Løve, France).


Director’s Fortnight

French film “ I Killed My Mother” has won three out of four prizes at the Director’s Fortnight, that’s organized on the sidelines of Cannes Film Festival.

Here is the complete list of winners:

Art Cinema Award:

“J’ai tue ma mere” (I Killed My Mother) by Xavier Dolan (Canada)

Special Mention: “La Merditude des choses” by Felix van Groeningen (Belgique/Belgium)

7e Prix Regards Jeunes 2009:
“J’ai tue ma mere” (I Killed My Mother) by Xavier Dolan (Canada)


----------------

Indian Auteur

Issue no- 3

Issue No-2

Issue no-1

Comments

Post a Comment

Popular posts from this blog

Satyajit Ray, 'What's wrong with Indian Films?

By -
Image
2008 The year is drawing to a close and top-ten lists have already started hitting the Internet. While going through several list of the, ‘Best movies of the year- distributed and non-distributed,’ it’s sad and remarkable to see the omission of Indian films. Over the years, there seems to be either ignorance on part of film festivals, critics, organizers about our cinema or in a country of over billion people,we are not able to make one worthwhile film that could transcend boundaries and cultural space- irrespective of being Indian. Beside let’s make this clear- Slumdog Millionaire is not an Indian film as the media seemed to project, rather it’s a British film with an Indian context. And so instead of proclaiming this as our conquest on the global stage, we should lament why anyone from our own industry couldn’t achieve this feat. While it's high time we should move on from talking about our scripts reaching the Oscar library or the growth of Bollywood in the US and UK box-offic
Read more

Postmodernism and Cinema

By -
Image
ISSUE- no1 ISSUE- no2 Asim Ratan Ghosh discusses about the characteristics of post-modern cinema with examples from different significant post-modern films Today’s life is a post-modern one. Cinema and TV are shaping our lives - life styles and attitudes towards life. The social, economic and political problems have direct relationship with it. The cinema and TV serials are simulating a hyper-real world. They pretend to show a ‘real’ life. That world lures people. They try to search out that ideal life but without success. This failure creates hatred, frustration, anger and a sense of revenge. That is why the instances of suicide, homicide and other crimes and misdemeanors are gradually increasing. All over the world another phenomenon can be observed: social unrest and change of social order are taking place all over the world. In the economic front Capitalist flavour is almost lost. Multinationals are reigning the world. Economists call this ‘Late Capitalism’. This ‘Late Capitalism’
Read more

Narrative Style of Satyajit Ray- in context Godard, Eisenstein and others.

By -
Image
A discussion about the narrative styles of Satyajit Ray in different films like Pather Panchali, Aparajito, Charulata, Jana Arnya etc. In this context comparison with Godard, Eisenstein and other directors and schools are done. Sanjay Mukhopadhyay discusses with Bibhuti Bhusan Mandal and Dr. Arup Ratan Ghosh Sanjay Mukhopadhyay (SM): The discussion that we are going to begin is about Satyajit Ray and his films. To be more precise, the topic sounds as ‘Satyajit Ray and the narrative style of his films’. I want you to highlight the salient features of his narrative style . When Satyajit Ray came to the film industry he had already developed a film sense. He had written a lot of essays in the Calcutta Film Society journals. These volumes help us to know Ray’s theory about the cinematic aspects of film. For example, during Dada Saheb Phalke or Jamaibabu period (silent era) we find that theatres and novels had a lot of influence on cinema. In these essays we find that the theatrics of thes
Read more